{"id":7671,"date":"2025-05-16T16:53:03","date_gmt":"2025-05-16T16:53:03","guid":{"rendered":"https:\/\/www.hamptontheatre.org\/?page_id=7671"},"modified":"2026-03-31T19:24:41","modified_gmt":"2026-03-31T19:24:41","slug":"i-do-i-do","status":"publish","type":"page","link":"https:\/\/hamptontheatre.org\/?page_id=7671","title":{"rendered":"I Do! I Do!"},"content":{"rendered":"<div class=\"organic-column one-half\">\r\n<img loading=\"lazy\" decoding=\"async\" width=\"194\" height=\"300\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-194x300.jpg\" alt=\"Hampton Theatre Company I Do! I Do! Poster\" class=\"alignleft size-medium wp-image-8097\" srcset=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-194x300.jpg 194w, https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-663x1024.jpg 663w, https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-768x1187.jpg 768w, https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-994x1536.jpg 994w, https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-1325x2048.jpg 1325w, https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-414x640.jpg 414w, https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/POSTER-REVISED-I-DO-I-DO-04-1-scaled.jpg 1656w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/>\r\n<br \/>\r\n<strong>from \r\nTom Jones and Harvey Schmidt\r\n<br \/>\r\nMarch 12 &#8211; 25, 2026<\/strong>\r\n<br \/>\r\nAward-winning musical comedy from \r\nTom Jones and Harvey Schmidt (collaborators on \u201cThe Fantasticks\u201d) \r\nabout one couple\u2019s ups and downs \r\nthrough 50 memorable years of marriage. Running time approximately 2 1\/2 hours with 1 intermission.<br \/>\r\n\r\n\r\n\r\n<\/div>\r\n<div class=\"organic-column one-half last\">\r\n<h5>Cast &#8211; In Order of Appearance<\/h5>\r\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 50%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-1' class='gallery galleryid-7671 gallery-columns-2 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Nicholas-Auletti.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Nicholas-Auletti-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-8152\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-8152'>\n\t\t\t\tNicholas Auletti\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Savannah-Jean-Moore-Headshot.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-1\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Savannah-Jean-Moore-Headshot-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-8153\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-8153'>\n\t\t\t\tSavannah Jean Moore \n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\r\n<br \/> \r\n<hr \/>\r\n\r\n<\/div><div class=\"clearboth\"><\/div>\r\n<br \/>\r\n<h5>Production Photos<\/h5>\r\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-2 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-2 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-2 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-2' class='gallery galleryid-7671 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0513.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0513-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0551.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0551-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0612.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0612-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0685.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0685-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0702.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0702-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0748.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0748-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0765.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-2\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/DSC_0765-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\r\n<br \/>\r\n<h5>Vow Renewals<\/h5>\r\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-3 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 25%;\n\t\t\t}\n\t\t\t#gallery-3 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-3 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div id='gallery-3' class='gallery galleryid-7671 gallery-columns-4 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_7962-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_7962-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_7968-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_7968-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_7971-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_7971-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_9671.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_9671-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3223-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3223-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3226-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3226-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Audrey-Joe-Sala-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Audrey-Joe-Sala-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Billy-Leslie-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Billy-Leslie-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Diana-Pat-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Diana-Pat-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Fran-Bob-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Fran-Bob-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3719-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3719-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3721-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/IMG_3721-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Jimmy-Mack-Brian-Mott-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Jimmy-Mack-Brian-Mott-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Pamela-John-rotated.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Pamela-John-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/John-Elizaabeth-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/John-Elizaabeth-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Maryann-Donald-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Maryann-Donald-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Sally-Steve-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Sally-Steve-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Stephen-Judith-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Stephen-Judith-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Holly-Thomas-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Holly-Thomas-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Iris-Alan-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Iris-Alan-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Dee-George-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Dee-George-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Jane-Peter-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Jane-Peter-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Marie-Joe-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Marie-Joe-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Pat-Kathy-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Pat-Kathy-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Wendy-John-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Wendy-John-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Jamie-Chris-1-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Jamie-Chris-1-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Michelle-Mike-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Michelle-Mike-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/April-Tom-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/April-Tom-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Cheryl-Kevin-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Cheryl-Kevin-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Edited.jpg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Edited-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Michealyn-Martin--rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Michealyn-Martin--150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Annika-Steve-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Annika-Steve-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Annmarie-Lou-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Annmarie-Lou-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Julie-Craig-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Julie-Craig-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Maggie-Michael-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Maggie-Michael-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Suzanne-Fred-rotated.jpeg' title=\"\" data-rl_title=\"\" class=\"rl-gallery-link\" data-rl_caption=\"\" data-rel=\"lightbox-gallery-3\"><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/03\/Suzanne-Fred-150x150.jpeg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<br \/>\r\n<hr \/>\r\n<br \/>\r\n\r\n<div class=\"su-accordion su-u-trim\">\r\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-plus\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>GENERAL INFO<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\r\nThe Hampton Theatre Company is inviting audiences to celebrate love, laughter, and lifelong commitment at its upcoming production of \u201cI Do! I Do!\u201d, the beloved musical by Harvey Schmidt and Tom Jones. Opening March 12 at Quogue Community Hall and running through March 29, the show offers a unique theatrical experience: the opportunity for ticket buyers to renew their wedding vows at the theater at almost every performance.   \r\n<br \/>\r\n<br \/>\r\n\u201cI Do! I Do!\u201d is an intimate and charming musical that follows one couple, Agnes and Michael, from their wedding night at the turn of the 20th century through 50 years of marriage. Set entirely in their bedroom, the show traces the joys, challenges, humor, and enduring affection that define a shared life. Through a series of poignant and often comical vignettes, audiences witness how love evolves over time while remaining rooted in connection and commitment.\r\n<br \/>\r\n<br \/>\r\nSince its Broadway premiere, \u201cI Do! I Do!\u201d has been warmly embraced by critics for its wit, emotional honesty, and melodic score. Reviewers have praised the musical as \u201ca valentine to marriage\u201d and admired its ability to capture universal truths with simplicity and grace. The show\u2019s intimate scale and heartfelt storytelling have made it a favorite among audiences who appreciate character-driven musical theatre.\r\n<br \/>\r\n<br \/>\r\nThe musical was created by the legendary team of Harvey Schmidt (music) and Tom Jones (book and lyrics), best known for the long-running classic \u201cThe Fantasticks.\u201d Together, Schmidt and Jones reshaped American musical theatre with works that emphasized lyricism, intimacy, and emotional resonance. \u201cI Do! I Do!\u201d earned multiple Tony Award nominations and remains a testament to their enduring influence and craftsmanship.\r\n<br \/>\r\n<br \/>\r\nThe cast of \u201cI Do! I Do!\u201d features Nicholas Auletti (\u201cA Funny Thing Happened on the Way to the Forum\u201d) as Michael and HTC newcomer Savannah Moore as Agnes. The director is HTC President Rosemary Cline, who is also responsible for the set design. Lighting design is by Sebastian Paczynski, and costume design by Teresa LeBrun.\r\n<br \/>\r\n<br \/>\r\nPerformances at the Quogue Community Hall will run from March 12 through March 29 on Thursdays, Fridays and Saturdays at 7, and on Sundays at 2:30. An additional matinee performance will be offered on Saturday, March 28, at 2:30, prior to the regular 7 p.m. performance that evening. \r\n<br \/>\r\n<br \/>\r\nTwo post-show talkbacks featuring the director and cast will be offered following the March 20 and March 27 evening performances. \r\n<br \/>\r\n<br \/>\r\n<img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/hamptontheatre.org\/wp-content\/uploads\/2026\/01\/We-Still-Do-01-150x150.jpg\" alt=\"HTC-Vow Renewal Logo\" class=\"alignleft size-thumbnail wp-image-8059\" \/>With love in the air all around this production, <strong>Hampton Theatre Company wants to extend the celebration by offering a complimentary vow renewal ceremony following most performances for all couples who\u2019d like to reaffirm their pledge.<\/strong> Reservations are required. To reserve a spot, call 631.653.8955 or email info@hamptontheatre.org. \r\n<br \/>\r\n<br \/>\r\nCelebrate love in all its stages with Hampton Theatre Company\u2019s production of \u201cI Do! I Do!\u201d\u2014a musical as timeless as the vows it honors.\r\n<\/div><\/div>\r\n<br \/>\r\n<hr>\r\n<br \/>\r\n\r\n<strong>Enjoy a Prix Fixe dinner at JOE&#8217;S AMERICAN GRILL!<\/strong>\r\n<br \/>\r\nBring your ticket confirmation to enjoy a $30 prix fixe dinner at JOE\u2019S AMERICAN GRILL at 240 Montauk Hwy, Westhampton Beach. This prix fixe special includes a starter and an entr\u00e9e. Choose one appetizer (soup or salad) and one entr\u00e9e (Chicken Pot Pie, Chop Steak or Salmon). Beverages not included; tax and gratuity additional. Valid prior to your scheduled Thursday. Friday or Saturday performance or after your scheduled Sunday matinee. No reservations required; must arrive by 5:30 pm for all performances. Entrees subject to change. <strong>EXCLUDES SATURDAY MARCH 14.<\/strong>\r\n\r\n\r\n<!--&#091;bmtextbox type=\"alert\" title=\"COVID Protocol\"&#093;The Hampton Theatre Company, consistent with Broadway theaters in New York City, is adopting a \u201cmask optional\u201d policy at this time. While we no longer require proof of vaccination at performances, we strongly encourage (but do not require) masks for audience members and theatre staff. Please note: These protocols are subject to change.\r\n<strong>For more information: <a href=\"tel:6316538955\"><span style=\"color: \u201d#ffffff\u201d;\">631.653.8955<\/span><\/a>.<\/strong> Subject to change.<br \/>\r\n&#091;\/bmtextbox&#093;\r\n--><br \/>\r\n[\/su_spoiler]\r\n\r\n<!--&#091;su_spoiler title=\"DINNER AND THEATER PACKAGES:\" open=\"no\" style=\"fancy\"&#093;\r\n&#091;\/su_spoiler&#093;-->\r\n\r\n\r\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-plus su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>WHO'S WHO<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\r\n<strong>NICHOLAS AULETTI<\/strong> (Michael) is an actor, director, and playwright from East Quogue. He graduated with a B.A. in Theatre from Lycoming College. Most recently, he was Harry \u201cJazzbo\u201d Heyward in A Christmas Carol: A Live Radio Play (Hampton Theatre Company), The Young Man in The American Dream (Corchaug Repertory Theatre), and Shapeshifter Sam and Terry in Six Hours of Purgatory. Previous acting credits include Lodovico and Clown in Othello  (Northeast Stage); Jack Gable in Leading Ladies  (NFCT); Jedidiah Shultz, Matt Galloway, and Russell Henderson in The Laramie Project (NFCT); Marcellus, Clown, and Fortinbras in Hamlet (Northeast Stage); Pseudolus in A Funny Thing Happened on the Way to the Forum (Hampton Theatre Company); and Macduff in Macbeth (Northeast Stage). His works include One Wish, Hold the Mayo (Corchaug Repertory Theatre), Relative (Corchaug Repertory Theatre), and Bite Me Broke (Northeast Stage).  He is elated to be part of his fourth production with Hampton Theatre Company. Nick is grateful for the friendly cast and crew for guiding him throughout this process and would also like to thank his friends, family, and Esme for all their support.  \r\n<br \/>\r\n<br \/>\r\n<strong>SAVANNAH JEAN MOORE<\/strong> (Agnes) grew up in Anchorage, Alaska and moved to New York to pursue her theatrical passions, graduating from LIU Post with her BFA in Musical Theatre. Some favorite roles include: Oklahoma! (Laurie), Legally Blonde (Margot), and Thoroughly Modern Millie (Millie). Off the stage you\u2019ll find Savannah behind the scenes of The Today Show where she works as a Stage Manager and The Kelly Clarkson Show as a Stagehand! She is so excited to be working with the lovely Hampton Theatre Company and would like to thank the creative team for their trust and support; her co-star Nick for braving this crazy show alongside her; and her friends, family, and teachers who have given her the support to get here. I DO! I DO! hope you enjoy the show!\r\n<br \/>\r\n<br \/>\r\n<strong>TOM JONES<\/strong> (Book and Lyrics) is an acclaimed American lyricist and librettist best known for The Fantasticks, which ran Off-Broadway for 42 years, becoming the longest-running production in American theater history. His other collaborations with composer Harvey Schmidt include 110 in the Shade (Tony Award nominee), I DO! I DO!, Celebration, and Philemon, among many other influential works. Jones and Schmidt received numerous honors, including an Obie Award, a Special Tony Award, induction into the Broadway Hall of Fame and the Songwriters Hall of Fame, and the Oscar Hammerstein Award. Following Schmidt\u2019s retirement and before his death in 2023, Jones continued creating new musicals with composers Andrew Gerle, Joseph Thalken, and others, maintaining a lasting legacy in American musical theatre.\r\n<br \/>\r\n<br \/>\r\n<strong>HARVEY SCHMIDT<\/strong> (Music) was an acclaimed American composer and award-winning graphic artist, best known for composing The Fantasticks, the longest-running musical in theatre history, as well as 110 in the Shade and I DO! I DO! In addition to his musical achievements, Schmidt enjoyed a distinguished career as an illustrator, with work featured in Life, Esquire, Fortune, and Harper\u2019s Bazaar. Born in Dallas, Texas, he was largely self-taught in both music and art, drawing inspiration from church hymns, classical radio broadcasts, and classic Hollywood musicals. While studying art at the University of Texas at Austin, he began his legendary collaboration with lyricist Tom Jones\u2014a creative partnership that spanned more than five decades and left an enduring mark on American musical theatre.\r\n<br \/>\r\n<br \/>\r\n<strong>ROSEMARY T. CLINE<\/strong> (Director\/Co-Producer) last appeared on the HTC stage in 2025 as Martha in Who\u2019s Afraid of Virginia Woolf?. She is delighted to be Co-Producing I DO! IDO! with her longtime collaborator, Andrew Botsford. Her first HTC directing gig was A Funny Thing Happened on the Way to the Forum in May 2024. A founding member of the company and current board president, she has had leading roles in over 40 HTC productions. She spent 15 years in NYC performing in theatre, film and TV, as well as seven years in summer stock in the Tri-State Region. More recently she continued her acting and directing studies at Stony Brook Southampton with playwright Lucas Hnath, Mercedes Ruehl, Joanna Merlin, Tony Walton and Rinde Eckert. Having finished 14 years as theatre director at Westhampton Beach High School, she\u2019s excited to share her new career as an audiobook narrator and can be found at <a href=\"https:\/\/www.rosemaryclinenarrator.com\">rosemaryclinenarrator.com<\/a>. Heaps of thanks to our amazing Music Director, Dee Lavelglia, our beautiful cast and crew, and to everyone in our company who makes the magic happen season after season. All love to Christopher, Cashew, Carter, her mother and father, with a wink to Poonie and Jane.\r\n<br \/>\r\n<br \/>\r\n<strong>DEE LAVEGLIA<\/strong> (Music Director, Accompanist) is a retired teacher who attended Juilliard and has a Master\u2019s Degree in Music Education. He was the music director and a performer for: HTC\u2019s A Funny Thing Happened on the Way to the Forum; Bottoms Up and Much Ado about Nothing for Northeast Stage; Oliver, The Wizard of Oz, Peter Pan, Seussical and Annie for Spotlight Theatre; How to Eat Like a Child, The Holiday Show, and Vampires Suck at the Vail Leavitt Music Hall; Cry Baby, A Christmas Carol (Live Radio Play), Little Shop of Horrors, The Sound of Music, Nunsense, Godspell, and Cinderella at North Fork Community Theatre; Blood Brothers, Little Shop of Horrors, Nunsense, and The World Goes Round for Backstage Theatre Company; Company and Merrily We Roll Along at the Southampton Cultural Center; Damn Yankees for Playcrafters; Fame, the Musical at Airport Playhouse; the Theatre Ensemble production of Berlin; Second Chance and Nunsense at Theatre at the Glen; The Wizard of Oz for Quogue Junior Theater Troupe; The Best of Broadway for WHBPAC Arts Academy; cabaret shows at Bay Street Theater and the Triad; and Mood Indigo, Celebrating Shakespeare, The Making of Moby Dick, The Making of Molly Bloom, Walt Whitman: Songs of the People, Letters to the World, Yeats in Love, and Rilke on Rilke at various libraries on the East End. He has also performed at churches, wineries, weddings, private parties, restaurants, for recordings and as accompanist for Alec Baldwin\u2019s acting class at Ross School. He is currently working on several projects in his recording studio in Mattituck. Dee would like to thank his wife, Madeline.\r\n<br \/>\r\n<br \/>\r\n<strong>ANDREW BOTSFORD<\/strong> (Co-Producer) is delighted to be co-producing a musical directed by Rosemary Cline for a second time, having first worked in that capacity on A Funny Thing Happened on the Way to the Forum in 2024. As an actor he has appeared in more than 50 Hampton Theatre Company productions since 1985, most recently as George in Who\u2019s Afraid of Virginia Woolf? Also a director, his most recent productions were Admissions by Joshua Harmon in 2020 and Ripcord by David Lindsay-Abaire in 2022. Other regional stage work includes three roles in Round Table Theatre Company\u2019s East Hampton production of Shakespeare\u2019s Scottish play and No\u00ebl Coward\u2019s Tonight at 8:30 at Guild Hall\u2019s John Drew Theater. The host of a summer film commentary program at the Westhampton Beach Performing Arts Center, he is also a host of the annual all-documentaries Hamptons Doc Fest in December in Sag Harbor. An archive of his now very occasional illustrated columns on life in Quogue can be found at <a href=\"https:\/\/atquaquanantuck.wordpress.com\">atquaquanantuck.wordpress.com<\/a>.\r\n<br \/>\r\n<br \/>\r\n<strong>EMILY DERRICK<\/strong> (Choreographer) Emily is a NYC based creative artist whose dance training began in Atlanta, where she studied under Jonnie Kelley and with Atlanta Ballet. Her recent choreography credits include Annie, Beauty and the Beast, and The Little Mermaid. Emily is a founding member of Street Beats Tap Company, has performed as a dancer for Disney, and has appeared on stages throughout the United States and internationally. Select performance credits include Elf, Seussical, Oklahoma!, and The Wizard of Oz. Much love to Dave, so glad I said, I DO! I DO!\r\n<br \/>\r\n<br \/>\r\n<strong>MEG SEXTON<\/strong> (Technical Director) has been with Hampton Theatre Company for five seasons filling a variety of roles including set design, scenic carpentry, sound design, and projection design.  She has previously worked as the Education Manager at Bay Street Theater as well as the Grants Manager &#038; Marketing Coordinator at Patchogue Theatre. Currently, she is the Director of Marketing at The Suffolk, the Development Assistant &#038; Content Editor at Patchogue Arts Council, and a scenic carpenter for National Event Connection.\r\n<br \/>\r\n<br \/>\r\n<strong>TERESA L. LEBRUN<\/strong> (Costume Designer) is the resident costume designer for Hampton Theatre Company, and has been with the company just shy of its 40-year lifespan. She began helping with costumes in 1986, and has designed the costumes for all the company\u2019s productions since 2006. She has also costumed for Westhampton Beach and Center Moriches high schools. Last spring Teresa costumed The Suffolk\u2019s production of 12 Angry Men and is excited to return for their production of To Kill a Mockingbird this spring. Much love to her sons Josh and Noah, family and great friends. \r\n<br \/>\r\n<br \/>\r\n<strong>MELISA DIDIO<\/strong> (Rehearsal Stage Manager) recently moved to Quogue with her family and is excited to return to her love of the theatre. After graduating from the American Academy of Dramatic Arts in New York City, she began her career acting in plays and television. Prior to moving to Long Island, she was the assistant theatre director at Bedford Middle School in Westport, CT for over 10 years. She has worked for the Hampton Theatre Company on the productions of Now and Then, Who\u2019s Afraid of Virginia Woolf? The Thanksgiving Play and thrilled to be working on I DO! I DO!.\r\n<br \/>\r\n<br \/>\r\n<strong>STEPHANIE MCGRATH<\/strong> (Production Stage Manager) is a production stage manager with experience in national touring and theatrical productions. She served as the Production Stage Manager for the second national tour of Hero: The Boy from Troy and as Assistant Stage Manager for Gateway\u2019s Haunted Playhouse. She is committed to clear communication, strong organization, and supporting collaborative rehearsal and performance environments. She is excited for you to see the show!\r\n<br \/>\r\n<br \/>\r\n<strong>STEVE ROGERS<\/strong> (Lead Carpenter) For the past 25 years, Steve has designed and built sets and served as lighting designer for Ward Melville High School\u2019s annual musicals, including The Phantom of the Opera, Sweeney Todd, Miss Saigon, Mamma Mia, and many more. He recently retired after a 31-year career as a Technology Education teacher and as Head Coach of the Ward Melville FIRST Robotics Team. To the cast and crew of I DO! I DO! \u2014 break a leg!\r\n<br \/>\r\n<br \/>\r\n<strong>KIERAN X. QUINN<\/strong> (Carpenter) has worked as a furniture contractor in New York City for the past 13 years while pursuing his passion for art and illustration. He is currently illustrating comic books, brewing beer, and living the dream with his wife and baby boy. Excited to be behind the scenes with HTC, Kieran looks forward to building more sets and tackling new creative challenges.\r\n<br \/>\r\n<br \/>\r\n<strong>GEORGE A. LOIZIDES<\/strong> (Prop Master) is a veteran of HTC having acted in 13 productions and directed 12 productions, most recently last season\u2019s Who\u2019s Afraid of Virginia Woolf?. He has been an actor and director for more than 55 years. He studied acting and directing at the HB Studio in NYC. For 27 years he was Director of Theater Arts for Ward Melville High School where he taught acting and directing and directed 81 productions. He is Vice President of the Board of Directors, a member of the Artistic Committee and Administrator of the Diana and Peter Marbury Scholarship. Break a leg to the wonderful cast and crew.\r\n<br \/>\r\n<br \/>\r\n<strong>MARY POWERS<\/strong> (Props) has worked extensively as a director and as a producer for 30 years. Locally she has directed at Theatre Three, Patchogue Theatre and Guild Hall. She worked as assistant director for Bay Street Theatre\u2019s Gross Points, starring Alec Baldwin, and as assistant director for Julie Andrews on The Boyfriend. She is involved with Arts in Education projects, having worked with local high schools, Guild Hall, the Children\u2019s Museum of the East End, and Bay Street Theatre\u2019s Young Playwrights. Most recently she has directed Strictly Murder, Now and Then and The Thanksgiving Play for HTC. She is happy to rejoin old friends at HTC, where she now serves as a board member.\r\n<br \/>\r\n<br \/>\r\n<strong>KELLY WERESNICK<\/strong> (Lighting Tech) has worked with HTC on previous shows including The Thanksgiving Play, Who\u2019s Afraid of Virginia Woolf?, Boeing Boeing, Now and Then, A Funny Thing Happened on the Way to the Forum, A Christmas Carol: A Live Radio Play, and The Portuguese Kid. She studied technical theatre with a concentration in theatre lighting at Suffolk County Community College. She was the lighting designer and board operator for Cry Baby, A Catered Affair, Spamalot and The Wizard of Oz at North Fork Community Theater in Mattituck. Thanks to her parents and sister Colleen and Uncle Billy for the drive and inspiration to pursue technical theatre.\r\n<br \/>\r\n<br \/>\r\n<strong>ROBERT REEVE<\/strong> (Sound Engineer) is an accomplished sound engineer with extensive experience in the live theatre industry. With a strong background in audio technology, Robert has worked on a wide variety of theatrical productions, contributing his expertise to mixing and technical management. In addition to his theatre work, Robert has also contributed to live events and concerts, further enhancing his versatility in the field. His commitment to excellence in sound design and his ability to adapt to any project, no matter the scale or complexity, has earned him a reputation as a respected sound engineer. \r\n<br \/>\r\n<br \/>\r\n<strong>ALEX J. WHITE<\/strong> (Sound Tech) has worked in a variety of music, theatre, corporate and private live event productions for well over a decade. He\u2019s developed a diverse skill set that makes him an adaptable asset to any production. From his time in Manhattan, to his work on the East End of Long Island and countless events and productions in between, he has had the privilege of working with some of the best in the business as a Sound Engineer, Stage Manager and Guitar Tech. He is also a seasoned musician, whether it be guitar, bass, vocals, keyboards, drums, or anything else, who\u2019s enjoyed all of his time spent in the music industry.\r\n<br \/>\r\n<br \/>\r\n<strong>ESMERALDA CABRERA<\/strong> (Dresser) is delighted to be a wardrobe crew member in I DO! I DO!. A local actress, her past credits include North Fork Community Theatre\u2019s Noises Off (Brooke\/Vicki), Northeast Stage\u2019s Hamlet (Ophelia), Hampton Theatre Company\u2019s A Funny Thing Happened on the Way to the Forum (Tintinabula) and Hampton Theatre Company\u2019s The Portuguese Kid (Patty). Esm\u00e9 wants to thank you for coming to see the show and wants to shoutout her fianc\u00e9 Nick for always giving his 110% in shows.\r\n<br \/>\r\n<br \/>\r\n<strong>JOCELYN PAIGE PODLAS<\/strong> (Dresser) Jocelyn is ecstatic to be helping out behind the scenes of I DO! I DO! Jocelyn is an elementary teacher and longtime lover of theatre. You may have recently seen her onstage in NFCT\u2019s productions of School of Rock (Rosalie Mullins\/Assistant Producer), Cinderella (Charlotte), or 9 to 5 (Roz). Jocelyn\u2019s backstage credits include dressing for NFCT\u2019s productions of Leading Ladies and A Few Good Men. Jocelyn would like to thank the Hampton Theatre Company for welcoming her with open arms and her family for encouraging her to explore her passion. <a href=\"https:\/\/www.instagram.com\/jocelynpodlas\">@jocelynpodlas<\/a>\r\n<br \/>\r\n<br \/>\r\n\r\n<strong>JULIA MORGAN ABRAMS<\/strong> (House Manager) After retiring from the legal department of Bristol Myers Squibb, Julia began a second career as a volunteer, initially for Literacy Suffolk, HTC, the Southampton Animal Shelter and Early Girl Farm, where she wrote grants and worked in fundraising. She continues to write grants and help with marketing for several local nonprofits. She would like to thank all of her dedicated House Assistants for their continued support.\r\n\r\n\r\n<\/div><\/div>\r\n\r\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-plus su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>PRODUCTION STAFF<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\r\n<div class=\"organic-column one-half\">\r\nDirector &#8211; <strong>ROSEMARY T. CLINE<\/strong>\r\n<br \/>\r\nMusic Director &#8211; <strong>DEE LAVEGLIA<\/strong>\r\n<br \/>\r\nProducers &#8211; <strong>ANDREW BOTSFORD, ROSEMARY T. CLINE<\/strong>\r\n<br \/>\r\nChoreographer &#8211; <strong>EMILY DERRICK<\/strong>\r\n<br \/>\r\nSet Design &#8211; <strong>STEVE ROGERS<\/strong>\r\n<br \/>\r\nLighting Design &#8211; <strong>SEBASTIAN PACZYNSKI<\/strong>\r\n<br \/>\r\nCostume Design &#8211; <strong>TERESA L. LeBRUN<\/strong>\r\n<br \/>\r\nTechnical Director &#8211; <strong>MEG SEXTON<\/strong>\r\n<br \/>\r\nLead Carpenter &#8211; <strong>STEVE ROGERS<\/strong>\r\n<br \/>\r\nCarpenter &#8211; <strong>KIERAN QUINN<\/strong>\r\n<\/div>\r\n\r\n<div class=\"organic-column one-half last\">\r\nLighting Tech &#8211; <strong>KELLY WERESNICK<\/strong>\r\n<br \/>\r\nSound Tech &#8211; <strong>ROBERT REEVE, ALEX J. WHITE<\/strong>\r\n<br \/>\r\nSound Engineer &#8211; <strong>JONATHAN PRESTO<\/strong>\r\n<br \/>\r\nRehearsal Manager &#8211; <strong>MELISA DIDIO<\/strong>\r\n<br \/>\r\nProduction Stage Manager &#8211; <strong>STEPHANIE McGRATH<\/strong>\r\n<br \/>\r\nDressers &#8211; <strong>ESMERALDA CABRERA, JOCELYN PAIGE PODLAS<\/strong>\r\n<br \/>\r\nProps &#8211; <strong>GEORGE A. LOIZIDES, MARY POWERS<\/strong>\r\n<br \/>\r\nBox Office &#8211; <strong>CAT BRACKSMAYER, DEBORA JACQUES<\/strong> \r\n<br \/>\r\nProduction Graphics &#8211; <strong>JOE PALLISTER<\/strong> (<a href=\"http:\/\/www.designingjoe.com\"><strong>DESIGNINGJOE<\/strong><\/a>)\r\n<br \/>\r\nHouse Manager &#8211; <strong>JULIA MORGAN ABRAMS<\/strong>\r\n<\/div><div class=\"clearboth\"><\/div>\r\n\r\n<\/div><\/div>\r\n\r\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-plus su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>REVIEWS<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\r\n<h3>REVIEW: Savannah Jean Moore &#038; Nicholas Auletti Shine in \u201cI Do! I Do!\u201d <\/h3> \r\n\r\n<strong>by T.J. Clemente\r\n<br \/>\r\n<a href=\"http:\/\/www.hamptons.com\">hamptons.com<\/a><\/strong>\r\n<br \/> \r\nJudging by the opening night\u2019s thunderous applause, the Hampton Theatre Company\u2019s production of \u201cI Do! I Do!\u201d is a smashing and dazzling success. Kudos to HTC President and Director Rosemary Cline, who, besides doing an outstanding job as Director, is also a Producer, as is Andrew Botsford. \u201cI Do! I Do! is a musical by Harvey Schmidt and Tom Jones that follows a couple through fifty years of marriage. This hit musical will be presented at Quogue Community Hall, running through March 29.\r\n<br \/>\r\n<br \/>\r\nThe small cast of \u201cI Do! I Do!\u201d consists of Nicholas Auletti as \u201cMichael,\u201d and HTC newcomer Savannah Jean Moore as \u201cAgnes.\u201d One cannot offer enough praise for Savannah Jean Moore\u2019s performance as \u201cAgnes.\u201d Her sweet singing voice and graceful movements, gestures, pivots, and overall energy blended so well with her co-star. Pay attention to Ms. Moore because she is a star either in the making or in the process of being discovered. Her powerful solos on the songs \u201cSomething Has Happened\u201d and \u201cWhat Is A Woman\u201d are most memorable. Watching her on stage is worth the price of two tickets.\r\n<br \/>\r\n<br \/>\r\nThe development and ever-growing talent of Nicholas Auletti is on full display in \u201cI Do I Do.\u201d He sings, he dances, romances, and is funny, as well as serious. Mr. Auletti is an all \u201cup-front and center actor\u201d who uses his abilities to project and to propel this show right into the hearts and souls of the audience. This reviewer personally enjoyed his rendition of the song, \u201cI Love My Wife!\u201d\r\n<br \/>\r\n<br \/>\r\nMs. Moore and Mr. Auletti\u2019s final duet, \u201cThis House,\u201d brought most of the audience to tears, leading to an emotional standing ovation.\r\n<br \/>\r\n<br \/>\r\nGood job to Dressers Esmeralda Cabrera and Jocelyn Paige Podlas, who appear on stage, moving things and setting things up discreetly.\r\n<br \/>\r\n<br \/>\r\nA delightful added feature of this production was that, after the curtain call applause, General Manager Terry Brennan of the Hampton Theatre Company extended the celebration of marriage by inviting three couples onto the stage for a complimentary vow renewal ceremony presided over by Quogue Mayor Robert Treuhold.\r\n<br \/>\r\n<br \/>\r\nThe plan moving forward is that, following most performances, couples in the audience can reaffirm their marriage vows on stage right after the show, but reservations are required. \r\n<br \/>\r\n<br \/>\r\nA big-time salute to the HTC\u2019s behind-the-scenes team. A shout-out to Musical Director Dee Laveglia and to the marvelous Set Design of Steve Rodgers, along with the efforts of Choreographer Emily Derrick. The flawless Lighting Design is by Sebastian Paczynski. The Technical Director is Meg Sexton, and the Costume Designer is Teresa LeBrun. Then there are the efforts of Lead Carpenters Steve Rogers and Kieran Quinn. Sound Engineers- Rob Reeve and Alex J. White. The Rehearsal Stage Manager, Melissa Didio, and The Production Stage Manager, Stephanie McGrath.\r\n<br \/>\r\n<br \/>\r\nPerformances of \u201cI Do! I Do!\u201d at the Quogue Community Hall will run until March 29 on Thursdays, Fridays, and Saturdays at 7, and on Sundays at 2:30. An additional matinee performance will be offered on Saturday, March 28, at 2:30, before the regular 7 p.m. performance that evening. \r\n<br \/>\r\n<br \/>\r\nTwo post-show talkbacks featuring the Director and cast will be offered following the March 20 and March 27 evening performances.\r\n<br \/>\r\n<br \/>\r\n<hr>\r\n<br \/>\r\n<h3>Rediscover Love in &#8216;I Do! I Do!&#8217; at Hampton Theatre Company<\/h3>\r\n<strong>Lee Meyer\r\n<br \/>\r\n27East, March 15, 2026<\/strong>\r\n<br \/>\r\nThere\u2019s a simple trunk that sits in the center of a bedroom for the duration of the Hampton Theatre Company\u2019s production of \u201cI Do! I Do!\u201d that is used, ostensibly, to store props.\r\n<br \/>\r\n<br \/>\r\nBut the trunk, really, represents so much more \u2014 if you\u2019ve ever stored something important in a box, you\u2019ll relate as the married couple at the center of this touching musical opens and closes the trunk to remove and store a variety of memories, both sweet and bitter, hopeful and lost.\r\n<br \/>\r\n<br \/>\r\nThere\u2019s only one set in \u201cI Do! I Do!\u201d and it\u2019s this bedroom. It sees the humble, hopeful beginnings of a marriage, its early years rife with both joy and bitterness, its middle years spent with wondering \u201cwhat could have been\u201d and a final, poignant moment sure to soften even the most cynical of theatergoers.\r\n<br \/>\r\n<br \/>\r\nWith solid direction by Rosemary Cline and stellar performances, HTC\u2019s \u201cI Do! I Do!\u201d is a rare treat of a regional revival, a show not often produced on Long Island, that deserves a longer vow renewal.\r\n<br \/>\r\n<br \/>\r\nIt\u2019s 1898, and Mike (played by Long Island actor Nicholas Auletti) and Agnes (HTC newcomer Savannah Jean Moore) have just gotten married. After a sweet rumination on what it means to each of them to be married (\u201cAll the Dearly Beloved\u201d), Mike and Agnes navigate their first night together, with the savvy Agnes able to deduce that, like her, Mike isn\u2019t experienced in the ways of intimacy. \r\n<br \/>\r\n<br \/>\r\nIn a series of short, musical vignettes, Mike and Agnes go through the early stages of a traditional marriage, including the births of their son and daughter and all the anxieties that come with parenthood. \r\n<br \/>\r\n<br \/>\r\nBut their first real challenge emerges when Mike becomes a successful author, boosting his ego and making Agnes play second fiddle to his new, hot-to-trot lifestyle. When Mike and Agnes have their first major fight, it seems like their marriage is over, played to the tune of \u201cThe Honeymoon Is Over\u201d \u2014 but there\u2019s a second act, of course, and Mike and Agnes\u2019s journey has barely begun.\r\n<br \/>\r\n<br \/>\r\nHampton Theatre Company has a real gem on its hands with \u201cI Do! I Do!\u201d The show, with book and lyrics by Tom Jones and music by Harvey Schmidt, premiered on Broadway in 1966. Made famous for its single \u201cMy Cup Runneth Over,\u201d the play is presented as a series of musical vignettes showcasing scenes from Michael and Agnes\u2019s marriage over the course of 50 years. \r\n<br \/>\r\n<br \/>\r\nAuletti, a talented charmer, is matched by the effervescent Moore, who refuses to play Agnes as the intellectual inferior to the oft-pompous Michael. This is a show that relies on the chemistry of two actors for the duration of its two-hour runtime; Auletti and Moore are more than up to the task. They sing, they soft-shoe and they convincingly age, often without leaving the stage.\r\n<br \/>\r\n<br \/>\r\nAuletti and Moore are helped along on their marital journey by a strong production, with lovely period costumes by Teresa L. LaBrun and a simple but clever interior bedroom set by Steve Rogers that has more going on than first meets the eye.\r\n<br \/>\r\n<br \/>\r\nThe musical itself is a lovely piece of theater, with elegant songs that don\u2019t overstay their welcome. \u201cMy Cup Runneth Over\u201d is a sweet love song, but it\u2019s far from the only standout. Agnes\u2019s ballad \u201cWhat Is a Woman?\u201d poses questions about a woman\u2019s place in the world besides being a wife and mother. \r\n<br \/>\r\n<br \/>\r\nAnd the story of the couple is refreshingly low-key instead of a melodramatic epic. Mike and Agnes are flawed individuals with relatable issues. Mike wants to be one of the great writers, but continues to churn out fast-selling romance novels. Agnes longs for something more than motherhood and keeping house. These inner conflicts often explode into fights between the two, but Auletti and Moore are so compelling that you hope the characters will get over themselves and find their way back to one another each time. \r\n<br \/>\r\n<br \/>\r\nPerhaps the most stirring moment in a musical full of thought-provoking moments is a late, wordless scene set to music in which Auletti and Moore sit down and apply aging makeup and wigs to signify a large passage of time. The actors, who occasionally address the audience in-character during the show, never break character as Michael\u2019s hair grays and Agnes\u2019s wrinkles grow. The actors apply their makeup with grace, even as the characters have resisted aging throughout the action.\r\n<br \/>\r\n<br \/>\r\nAt the end of \u201cI Do! I Do!\u201d Agnes and Michael, 50 years on, plan to leave their big house and master bedroom for something smaller and more befitting their older age. Michael and Agnes reminisce about their long, fruitful marriage and the trunk is once again used to store some important items that won\u2019t be spoiled here. As Agnes and Michael leave the bedroom, they leave it \u2014 and the audience \u2014 full of memories.\r\n<br \/>\r\n<br \/>\r\nThe Hampton Theatre Company\u2019s production of \u201cI Do! I Do!\u201d runs through March 29 at Quogue Community Hall, 25 Jessup Avenue in Quogue. Dee LaVeglia serves as music director and lighting design is by Sebastian Paczynski. Tickets are $50 ($46 seniors, $30 students, $40 for veterans and Native Americans) at <a href=\"https:\/\/ci.ovationtix.com\/27685\/production\/1235842\">hamptontheatre.org<\/a> or by calling 631-653-8955.\r\n<br \/>\r\n<br \/>\r\n<hr>\r\n<br \/>\r\n<h3>Hampton Theatre Company\u2019s I DO! I DO! Delivers a Nostalgic, Wise Take on Love &#038; Marriage<\/h3> \r\n\r\n<strong>Dan\u2019s Papers\r\n<br \/>\r\nBy Marc Horowitz<\/strong>\r\n<br \/>\r\n\r\nIn the 1960s and \u201970s, my mother, Barbara, almost always had something spinning on the living room \u201chi-fi.\u201d Barbara\u2019s tastes were eclectic, at least to a point. There was jazz and classical, and plenty of Elvis and Johnny Cash and Joni Mitchell and The Beatles. More often than not, though, it was all about Broadway soundtracks. \r\n<br \/>\r\n<br \/>\r\nThis reviewer was raised on a heavy rotation of show tunes \u2013  particularly the great contemporary musicals of the day.\r\n<br \/>\r\n<br \/>\r\nShows like Funny Girl (1964), Fiddler on the Roof (1965), Cabaret (1966), 1776 (1969), Grease (1971) and A Chorus Line (1976) got lots of playing time in our Manhattan apartment, and later, our house in suburbia. I knew their scores by heart before I hit my teens. \r\n<br \/>\r\n<br \/>\r\nMaybe she was profoundly interested in romantic relationships. Or maybe she just loved the music. But there were two soundtracks that my mother played more often than anything else. Both shows explored the intricacies of love and marriage, and both have been indelibly etched into my consciousness for the better part of five decades, long before I saw them on stage for the first time as revivals.\r\n<br \/>\r\n<br \/>\r\nOne was Stephen Sondheim\u2019s Company (1970). From its eponymous opening number (\u201cBobby; Bobby; Bobby Baby; Bobby bubi; Robbie\u2026\u201d) to its finale, Sondheim\u2019s erudite masterpiece still feels entirely modern and entirely relevant 56 years after its Broadway debut.\r\n<br \/>\r\n<br \/>\r\nThe other was, of course, I DO! I DO!. Though first staged on Broadway in 1966, only four years before Company, Tom Jones and Harvey Schmidt\u2019s musical belongs to an entirely different era. So many of the classic numbers from the show are a hugely important part of my personal canon.\r\n<br \/>\r\n<br \/>\r\nGiven I DO! I DO!\u2019s importance as a foundational piece of my musical architecture, I approached Hampton Theatre Company\u2019s new production with a combination of giddy anticipation and caution.\r\n<br \/>\r\n<br \/>\r\nIf you\u2019re staging this show, there are definitely some challenges:\r\n<br \/>\r\n<br \/>\r\nFor one thing, this is a two-person musical that takes place entirely in a bedroom (albeit one with a rotating bed). It features roles that were originated by Robert Preston and Mary Martin, two of the most incandescently gifted and charismatic stars in Broadway history \u2013 a pair of performers whose line readings and vocal pyrotechnics tend to stay with people. (When somebody says \u201cStella\u201d you hear Brando in your head. When somebody says \u201cnobody\u2019s perfect\u201d you hear Robert Preston and Mary Martin. At least I do.) \r\n<br \/>\r\n<br \/>\r\nThe show begins at the very end of the 19th century and spans 50 years in the life of a married couple with children. So, in addition to performing many demanding vocal numbers, often with complex harmonies and key changes, the players must age convincingly \u2013 not an easy task for young actors. Plus, the character of Agnes in particular is called on to whipsaw between a range of emotions and motivations. The conflicts, resolutions and transitions happen fast in Tom Jones\u2019s script. In those scenes, an actor\u2019s dramatic range is even more crucial than her vocal chops.   \r\n<br \/>\r\n<br \/>\r\nWould one of my favorite shows of all time hold up against the nostalgic hagiography of my memory? Would director Rosemary Cline and the HTC creative team give I DO! I DO! the kind of treatment it deserves? Would its stars meet the challenges of the material? \r\n<br \/>\r\n<br \/>\r\nI\u2019m happy to report that the answer to all my questions was a definitive \u2018yes.\u2019\r\n<br \/>\r\n<br \/>\r\nLike marriage itself, this production is multi-layered, heartfelt, surprisingly adventurous and occasionally messy. It\u2019s also old-school in the best possible way and utterly charming.\r\n<br \/>\r\n<br \/>\r\nBoth of the show\u2019s young stars acquit themselves well. Nicholas Auletti, an East Quogue native, seems to have been built in a laboratory to play a guy from the late 19th century. Yes, he has a powerful and emotive singing voice that never stumbles over the tricky vocal sections. And despite an unfortunate stage moustache, his acting choices generally land well. But his vibe is the most uncanny thing about his performance. The guy\u2019s character gets married in a top hat and tails, almost 100 years before anyone has heard of the internet, and he manages to feel completely of that era. \r\n<br \/>\r\n<br \/>\r\nI\u2019m not sure what kind of time-travel sorcery Auletti brought to his role, but it certainly pays dividends. Suspension of disbelief is a lot easier when your male lead absolutely inhabits the old-timey vibe that\u2019s so crucial to the play. \r\n<br \/>\r\n<br \/>\r\nNailing the angst and complicated interior life of a father on his little girl\u2019s wedding day, Auletti also delivers a pitch-perfect take on \u201cMy Daughter is Marrying an Idiot,\u201d one of the show\u2019s most entertaining \u2013 and wise \u2013 solo numbers, \r\n<br \/>\r\n<br \/>\r\nA longtime HTC player and the current president of the theater\u2019s board of directors, Rosemary Cline makes plenty of good decisions in only her second directorial outing for the company. But casting Auletti in the role of Michael is probably the single best choice she made.  \r\n<br \/>\r\n<br \/>\r\nThen there\u2019s Agnes, as played by Savannah Jean Moore. Though it would be difficult for any scene partner to portray a character of a bygone era as convincingly as her co-star, Moore also manages to feel right at home in the 19th century. Later, she does some of her finest work as an older version of Agnes. She nails the tentativeness and caution and the physical discomforts of old age: the unsteady walk, the shakiness (and subtle vocal changes) that naturally occur through the years. \r\n<br \/>\r\n<br \/>\r\nAs a vocalist, Moore may be at her best when duetting with Auletti. In \u201cNobody\u2019s Perfect,\u201d arguably the show\u2019s most well known number, she excels. She generally has lovely intonation, but in \u201cPerfect,\u201d her comedic timing is on full display as she parries with her co-star and gets in plenty of memorable vocal licks. \u201cYou chew in your sleep,\u201d Agnes talk-sings at Michael midway through the number, her voice dripping with vitriol. It\u2019s funny, of course \u2013 and everybody who has ever been in a long-term relationship knows exactly where she\u2019s coming from. \r\n<br \/>\r\n<br \/>\r\nThe most demanding solo number in the show is probably \u201cFlaming Agnes,\u201d which imagines a hedonistic gay divorcee in middle age \u2013 a character Agnes sometimes longs to be, but will never actually become outside the confines of her imagination. Vocally, it\u2019s a stops-out kind of number. When it crescendos, it requires abandon \u2013 and Moore leans into it. But to keep it from collapsing in on itself, the song also requires a degree of control, which she seems to know intuitively when to apply.  \r\n<br \/>\r\n<br \/>\r\nAgnes is a character who makes considered decisions. But in the next breath, she changes her mind. She\u2019s leaving. She\u2019s staying. She\u2019s leaving again. Nope, she\u2019s staying. Moore manages to bring the audience into Agnes\u2019s process despite the abruptness \u2013 the scripted fickleness \u2013 of some of her most potent decisions. \r\n<br \/>\r\n<br \/>\r\nTypical of men of the period, Auletti\u2019s Mike isn\u2019t big on evolving. He has his fling and thinks seriously about blowing up his marriage, but talks himself out of it when he realizes how much he has to lose. It\u2019s as if he\u2019s forced into his changes, motivated more by fear of losing Agnes than anything else. In those scenes, Auletti and Moore bring a complicated, world-weary chemistry to their roles. \r\n<br \/>\r\n<br \/>\r\nYes, there\u2019s tenderness there \u2013 and genuine love. And the actors show the audience what that looks like, particularly in the final scene. But there\u2019s also a long history of ambivalence and questionable behavior, a hardened patina of casual cruelty and unmet expectations. Moore and Auletti channel those marital realities in a performance that feels wise beyond their years.  \r\n<br \/>\r\n<br \/>\r\nIn a nod to the commitment all good marriages need to survive, HTC is offering couples the opportunity to renew their vows on stage after the show while Moore and Auletti serve as witnesses. It\u2019s a lovely little wrinkle, the brainchild of HTC\u2019s general manager Terry Brennan, who officiates over the short ceremony. On the night I attended, two couples took HTC up on its invitation. And Brennan said that quite a few more couples have signed up to do the same at upcoming performances.\r\n<br \/>\r\n<br \/>\r\nThe couples renewing their vows on stage would probably agree with the sentiments expressed in this show\u2019s signature number. Nobody\u2019s perfect \u2013 it\u2019s true. But this thoroughly enjoyable production reminds us that marriage isn\u2019t about being perfect. It\u2019s about trying our best to be good. And as the years melt away, being good should be good enough. \r\n<\/div><\/div>\r\n\r\n\r\n\r\n\r\n<!--&#091;su_spoiler title=\"AUDIENCE COMMENTS\" open=\"no\" style=\"fancy\"&#093;\r\n&#091;\/su_spoiler&#093;-->\r\n\r\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-plus su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>DIRECTIONS<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\r\n<strong>FROM SUNRISE HIGHWAY (ROUTE-27):<\/strong><br \/>\r\nSunrise Highway (Route 27) to exit 64S (Rte. 104 to Quogue). Rte. 104 South (approx. 3 miles) to Montauk Highway (Rte. 80). Right onto Montauk Highway to light at Otis Ford (1 mile). Left onto Jessup Avenue. 1\/2 mile to theater (on right). <strong>FROM MONTAUK HIGHWAY (ROUTE-80):<\/strong><br \/>\r\n\r\nMontauk Highway to light at Otis Ford in Quogue. South onto Jessup Avenue. 1\/2 mile to theater (on right). <iframe loading=\"lazy\" style=\"border: 0;\" src=\"https:\/\/www.google.com\/maps\/embed?pb=!1m18!1m12!1m3!1d3019.4915915903994!2d-72.61095928459191!3d40.81716467932048!2m3!1f0!2f0!3f0!3m2!1i1024!2i768!4f13.1!3m3!1m2!1s0x89e8f151fdee151d%3A0xdcb55c40c8c21b94!2s125+Jessup+Ave%2C+Quogue%2C+NY+11959!5e0!3m2!1sen!2sus!4v1506458038222\" width=\"600\" height=\"450\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><br \/>\r\n<\/div><\/div>\r\n\r\n<div class=\"su-spoiler su-spoiler-style-fancy su-spoiler-icon-plus su-spoiler-closed\" data-scroll-offset=\"0\" data-anchor-in-url=\"no\"><div class=\"su-spoiler-title\" tabindex=\"0\" role=\"button\"><span class=\"su-spoiler-icon\"><\/span>PARKING &amp; ACCESSIBILITY<\/div><div class=\"su-spoiler-content su-u-clearfix su-u-trim\">\r\n<strong>PARKING:<\/strong> There is limited street parking around the theater as well as a parking lot that can be entered just north of the Quogue Community Hall. <strong>WHEELCHAIR ACCESS:<\/strong> A handicapped accessible entrance is located on the right (north) side of the building. Please use the driveway on the north side of the theater and ring the bell marked HTC Handicapped at the ramp entrance to the building and a volunteer will assist you; or have a member of your party notify us on arrival at the box office if you&#8217;d like to use this entrance. If a member of your party requires a wheelchair in the theater, please reserve one seat at the end of a row. <strong>ASSISTED LISTENING DEVICES:<\/strong> The theater does not have assisted listening devices at this time.<br \/>\r\n<\/div><\/div>\r\n\r\n<!--&#091;su_spoiler title=\"RESTAURANTS\" open=\"no\" style=\"fancy\"&#093; &#091;one_half&#093; &#091;\/one_half&#093; &#091;one_half_last&#093; &#091;\/one_half_last&#093; &#091;\/su_spoiler&#093;--><br \/>\r\n<\/div>\r\n<!--Gallery - photos by Tom Kochie--> \r\n\r\n\r\n\r\n\r\n\r\n\r\n &#8211;>","protected":false},"excerpt":{"rendered":"Production Photos Vow Renewals &#8211;>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-full.php","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-7671","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/7671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7671"}],"version-history":[{"count":56,"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/7671\/revisions"}],"predecessor-version":[{"id":8225,"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=\/wp\/v2\/pages\/7671\/revisions\/8225"}],"wp:attachment":[{"href":"https:\/\/hamptontheatre.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}